Poem 257
This goes all the way back to when I was seventeen … it was the next poem I wrote after Poem 1, so my second properly adult poem – though the concerns and affectations are obviously adolescent the rhyming I think is great and lines from this have remained with me for getting on for half a century now …
… yes Peppermint Bay is from The Good Ship Lollipop as lisped sweetly by Shirley Temple – I intended it to signify growing out of childhood fantasy into real life and also out of the idyll of a brief affair …
… the poem is me picturing myself as some Dylanesque itinerate hobo of romance farewelling his latest summer hook up, the standard sorry babe gotta be traveling on kind of bullshit – I know, but give me a break, I was still in high school and had yet to spend a day – or a night – in bed with anyone …
( I love the triple and quadruple rhymes – today/away/Bay, turning/churning/journeying, rise/eyes/demise/sighs, dead/bed/head, tiles/miles/file, sun/come/done/ocean – and the way they fall naturally into a rhythm that is a step forward from a locked-down tumpty-tumpty form … image-wise I like the May grey sea, the cold whale both massive and distant, moonwet country miles is great, as is the assonance of oaks and smoky railroads and the last image of memory netting up brighter times … nice too how this moves from morning through afternoon to night … )
Leaving Letter
When I awoke in this morning the wind at the door said today and looking out I felt the cold whale rise massive and far away while leaves that pelted at our windows were the May grey sea come churning and hungry to Peppermint Bay so now I knew of my turning but you unaware the night had spewed me empty as fish eyes and set me now on journeying would be hurt your love's demise so quickly done absently torn and I indifferent dead it's 3 o'clock the tv sighs of a day spent in your bed writing this and the trees and sun trundle endless across the tiles so much let slide the tide in my head out in moonwet country miles in oaks and smoky railroads I walk where you cannot come carrying love in a leather file and if this poem has done little else I know that now you see me casting the strands of memory like nets upon the bright ocean