Poem 382
This is about the deep wells of inspiration, drawing on what Phil Mann and David Carnegie taught in my drama class of 1984 about the roots of theatre springing from ritual and sympathetic magic reflecting the seasonal cycle of life decay death and rebirth, specifically how ancient inhabitants of the Nile delta, dependent on the annual floods for fertility and abundance, would implant a seed in a small clay figure and bury it so that when the water irrigated it shoots would sprout out the head of the figurine, the inspirited god embodying and giving life to the new season …
… over the centuries we kept this concept, seeing those whose job it is to do the dance, sing the songs, make the art that urges on the seasons and cycles of life as being in that moment inhabited by the god, splitting their own skin in order to commune with something higher deeper stronger … there is some sacrifice of self in contacting the numinous just as the dry clay figure must be destroyed by the new life that bursts from within … the migraine suggests a ‘splitting’ headache but is also an altered mental state, a ‘derangement of the senses’ that Rimbaud thought of as central to artistic inspiration …
( I like everything in this poem but particularly the word homunculus and the image riding the stopped kernel of his heart … )
Inspirit
that the wheat grow high
may the god be split
let the green tongue
forced from his mouth
lick round the earth
sky bowed
under summer
pitched the length of the river
baking stones spinning insects
on the air
night
the god crammed so tight in a man
the sweat bursts on him
rain fusing
plain and sky
suspending the earth in water
drowned homunculus drawn
from the delta silt
riding
the stopped kernel of his heart
that the wheat grow high
migrainous
split through
I woke
a breath stirring
beside me