Poem 382
This is about the deep wells of inspiration, drawing on what Phil Mann and David Carnegie taught in my drama class of 1984 about the roots of theatre springing from ritual and sympathetic magic reflecting the seasonal cycle of life decay death and rebirth, specifically how ancient inhabitants of the Nile delta, dependent on the annual floods for fertility and abundance, would implant a seed in a small clay figure and bury it so that when the water irrigated it shoots would sprout out the head of the figurine, the inspirited god embodying and giving life to the new season …
… over the centuries we kept this concept, seeing those whose job it is to do the dance, sing the songs, make the art that urges on the seasons and cycles of life as being in that moment inhabited by the god, splitting their own skin in order to commune with something higher deeper stronger … there is some sacrifice of self in contacting the numinous just as the dry clay figure must be destroyed by the new life that bursts from within … the migraine suggests a ‘splitting’ headache but is also an altered mental state, a ‘derangement of the senses’ that Rimbaud thought of as central to artistic inspiration …
( I like everything in this poem but particularly the word homunculus and the image riding the stopped kernel of his heart … )
Inspirit
that the wheat grow high may the god be split let the green tongue forced from his mouth lick round the earth sky bowed under summer pitched the length of the river baking stones spinning insects on the air night the god crammed so tight in a man the sweat bursts on him rain fusing plain and sky suspending the earth in water drowned homunculus drawn from the delta silt riding the stopped kernel of his heart that the wheat grow high migrainous split through I woke a breath stirring beside me